The "Translator's Problem" (2023) continues the motif of art objects as potential tools for interpreting and mythologizing reality. The exhibition's point of departure is an inquiry into the role of the creator within society and the perspective of the viewer. While the title references Walter Benjamin's essay "The Task of the Translator," the artist disputes Benjamin's central thesis, instead positioning the audience's perspective as primary and more interesting than his own.
Motifs from earlier works are subject to constant revision; each subsequent exhibition serves as a kind of errata—an attempt to correct "misspoken sentences" from previous shows.
